Original lo-fi beats generated from a description — soft drums, warm keys, tape hiss. Yours to use on a stream or a video without a claim landing on it.
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What it does
Lo-fi is a genre defined by restraint. Nothing demands attention: the drums sit slightly behind the beat, the chords are warm and unresolved, and there is enough tape hiss and filtered top end that the whole thing feels like it is coming from another room. That is the point — it is music engineered not to interrupt.
Generating it works unusually well, because the genre is about texture and mood rather than a memorable hook. Ask for the tempo, the instruments and the amount of grit, and what comes back is genuinely the thing. There is no chorus that needed to be great.
And because it is original music rather than a slowed-down record, you can put it under a stream, a video or a podcast without a rights holder’s claim landing on it a week later. That is the practical difference between generating lo-fi and making it the way most lo-fi on the internet was made.

How it works
Describe the texture, not the melody.
Tempo as a number, two or three instruments, and how much grit. "78 BPM, electric piano and brushed drums, heavy tape hiss, rainy" is a full brief.
Almost all lo-fi is instrumental — a vocal would defeat the purpose. One switch does it.
Generate several, extend the ones you like, and join them with a crossfade for an hour that never repeats.
What you get
Tempo, dusty drums, seventh chords on an electric piano, and audible tape noise. Get those four right and it is lo-fi; get a great melody and it is not.
Most lo-fi online is somebody else’s record slowed down and filtered, which is why so much of it disappears from streams. Generated music is yours, with a certificate.
A study stream needs length. Generate several, extend them, and join them with crossfades — all three tools are on this site and two of them are free.
Jazzhop, chillhop, lo-fi house and sleep lo-fi vary by tempo, drum treatment and how much low end there is. Naming the one you want works better than describing it.
Listen
Including a lo-fi one, straight out of the generator.
Who uses it
The original use case, and the one where getting claimed ends the stream. Original music does not.
Under a talking head or a screen recording, where the music must not compete with the voice.
Slower, softer, less percussion. Ask for it and the arrangement thins out accordingly.
Hours of licensed background music without a commercial streaming subscription.
Quiet enough to sit under speech, warm enough that the silence is not dead.
A lo-fi instrumental with space in it is a good place to start a topline.
FAQ
No — opposite operations that land in similar territory. Slowed and reverb takes an existing record and changes it, so the result is still that artist’s recording. This writes new music in the lo-fi style, which is yours. If you want the aesthetic applied to a song you already have, that is the slowed and reverb page.
Yes, and this is the main reason to generate rather than borrow. Generated tracks come with commercial rights and a certificate. The lo-fi mixes that get streams muted are almost always slowed versions of copyrighted records.
Generate several tracks, use the music extender to continue the good ones, then join everything with the audio joiner using a two-second crossfade. The joiner is free. An hour is roughly fifteen to twenty extended tracks, and because they are all different it does not become obviously loopy.
70 to 90 BPM covers nearly all of it. 70 to 75 for sleep and deep focus, around 80 for classic lo-fi hip hop, 85 to 90 if you want it to have a bit more push. Give a number rather than saying "slow" — the number is obeyed much more reliably.
Generally not. Words pull attention, which is the one thing this genre exists to avoid. Wordless vocal textures used as a pad are fine and common. Turn instrumental mode on and you get the right result by default.
Ask for it in the prompt — "heavy tape hiss", "vinyl crackle", "rain in the background" all register, and are part of how the genre is defined rather than effects added afterwards. For more control, layer a separate rain recording underneath in any editor.
Jazzhop leans on jazz harmony and sampled-sounding instrumentation — upright bass, brushed drums, complex chords. Chillhop is cleaner and more electronic, with straighter drums and simpler harmony. Naming either gets you closer than any description of the difference.
Individual tracks have real structure, so no. What does get repetitive is one extended track stretched too far — the extender continues in the same style, which is a feature over three minutes and a problem over thirty. Generate more tracks rather than extending one indefinitely.
The licence permits commercial use, including distribution. Whether platforms accept large volumes of generated music is their policy rather than a rights question, and several have tightened up on it — worth checking before you plan around it.
Two tracks on signup, four versions in total. After that it is per track, no subscription.

Original beats, licensed, as long as you need them.