Open a file, drag the two handles to the part you want, download it. No upload, no account, no watermark — the whole thing happens inside this page.
What it does
Cutting audio is the most ordinary editing job there is — a ringtone, a clip for a video, an intro trimmed off a voice memo, eight bars to sample — and it is absurd that the usual route involves uploading a forty-megabyte file to a stranger’s server, waiting, and downloading it back.
This does it where the file already is. Your browser decodes the audio, draws the waveform, and writes out the selection you drag. Nothing is transmitted, so there is no upload wait, no queue, no account, and no question about how long a copy sits on someone else’s disk.
The output is a real audio file, not a preview: WAV if you want it lossless, MP3 at your choice of bitrate if you want it small. There is also a fade control, because a cut made mid-waveform clicks, and fifty milliseconds of fade makes that disappear without being audible as a fade.

How it works
Three actions and a download.
MP3, WAV, FLAC, M4A, OGG or a video file. It is read straight off your device — no upload step, so it appears immediately.
The waveform shows you where the sound is. Everything outside the two handles is dimmed, so what you are keeping is obvious.
Preview the cut first. Then take it as a WAV, or as an MP3 at 128 to 320kbps.
What you get
Every other cutter on the first page of results sends your file to a server first. This one does not — which makes it faster on a big file and the only sensible option for anything you would rather not hand over.
You can see where the verse starts. Dragging to a visible edge is faster and more accurate than typing 00:47.3 and checking whether you guessed right.
Slicing through the middle of a waveform leaves a step in the signal, and a step is a click. A few milliseconds of fade at each edge removes it and is far too short to hear as a fade.
MP3, WAV, FLAC, M4A, AAC, OGG — and video files, whose audio track is pulled out automatically, which is usually why people go looking for a cutter in the first place.
Who uses it
Thirty seconds of the chorus, exported as a normal audio file your phone will accept.
Pull the fifteen seconds you are editing against, so you are not scrubbing a full song on a timeline.
Cut the silence and the fumbling at the start of a voice memo, interview or lecture recording.
Take exactly the bars you want, then check the tempo with the BPM finder so the loop lines up in a session.
A strict sixty seconds, ending where you decide rather than where a fade happens to be.
Run it once per section — a live set into tracks, a lecture into chapters — and reassemble later if you need to.
FAQ

Open a file, drag two handles, download. Nothing leaves your device.